翻看sketchbook，偶然看到曾寫下的這段感想，把它記錄下來，因為我真是蠻喜歡這件作品。 ——Let the fleeting concept of erasure condense into a timeless still frame. Filipino...

之前大半年寓居的日子 只帶上一個行李箱和一個手提包 物質所需壓至極簡 不想生活過得太將就 我帶着自調的精油香水 當中的玫瑰草和山雞椒的香味 總給予我安慰、自信和活力 讓我樂觀地迎接每一天 當時嗅覺的享受 是最不佔空間 而令生活極具儀式感的選擇 京都線香非常著名 這次旅行特別鎖定要去松榮堂 這間香鋪歷史悠久 創立於1705年 是京都許多寺廟的御用品牌 我去的是京都總店（可以退稅） 販售各式各樣的線香、香皿、香立等 每種香的名字都富有詩意：涼暮月、京櫻、卧雲香⋯⋯ 每款香都有試聞的盒子 忍不住入手了一堆商品 期待逐款開箱試用

不是影評 只是拉雜閑談看完電影的一些聯想 電影最後部分談到詩的功能 黃潤宇說起曾給坐牢的朋友抄寫策蘭《小屋的窗》 許鞍華形容詩是她的守護符，解憂紓困 看到這裏，有種驟得知音的感覺 我也覺得詩在我人生不同的時刻帶來安慰 我原以為這只是我的臆想 不能忘懷蘇軾和朝雲的故事 「東坡一日退朝食罷，捫腹徐行，顧謂侍兒曰：『汝輩且道是中有何物？』一婢遽曰：『都是文章。』坡不以為然。又一人曰：『滿腹都是識見。』坡亦未以為當。至朝雲，乃曰：『學士一肚皮不入時宜。』坡捧腹大笑。」 過往只是有感蘇軾和朝雲相知之深 近年才明白蘇軾笑中的唏噓 在世俗洪流中堅守信念 縱然不合時宜又如何 獨留取內心的一點清明

重看以前寫過的詞句，憶起很多往事，是記載昔日情感的一份珍貴紀錄。茲把詞作記錄如下： 《醉花陰》 凝碧墨花生凍硯。風急歲暮短。社燕謾鬭語，寥落黃昏，轉覺文心倦。          一亭寂寞孤煙遠。月滿霜華淺。紫竹幾枝橫，露濕疏香，何用東風薦。 《少年遊》...

Try to create some Janpanese flat plates. Like the feeling of ink wash rendering.

Intensive week(7/1-15/1) group project Visit site: Lei Yue Mun Two resolved artworks of my group: Trace of Time I 2023 Cyanotype on paper, oil pastel on paper 16 x 24 inch each Trace of Time II 2023 Cyanotype on cloth 60 x 72 inch each

Tension Review the previous experiments, the forms of clay show its rhythm. Therefore, I try to find a tension force. At first, I tentatively peel off the surface of the clay. After ripping off the surface, what is revealed is not pure black or white, but an ink landscape with clouds and mist. I try to make paper clay by adding paper to clay slip in an electric mixer. I pull it apart with force, and a jagged tear created. As I see it, these are the tension between human body

Boundary I stack the clay layers by layers, then twist to build different forms. To make multi-colored layered slabs, I slap the clay on the table. Each hit cracks the surface of clay. I twist to test it’s boundary: sometimes the clay collapsed under its weight; sometimes the clay broke off as it couldn’t bear the twist. Everything has its limit. These results demonstrate the nature of clay as a material. Same as human, one will be prone to emotional flare-ups if one is on th

Flow｜心流 2022 Stoneware, porcelain｜炻器、白瓷 Dimensions variable ｜尺寸不定 Flow, is a psychological concept recognized and named by psychologist Mihaly Csikszentmihalyi. It is a highly focused mental state in which outside stimuli seem to fall away. While working on ceramics, I found clay has the malleability to record the tension between human body and itself. Once it’s fired, clay becomes the documentation of intangible emotion. It is straightforward, and I like it. My work “Flow” i